HinterPrint Studio

Photographs for the wall.

The print that comes from farther back — the hinterland of a trip, not the postcard rack. Real photographs of places you've actually stood, quiet enough for a wall, named like someone looked twice.

Two towering thunderheads rising into anvils above a deck of lower clouds, seen from an airplane window.
Anvil Season from Window Seat

Collections

Thirteen series

Smaller hangs with one idea each: boats on Lake Geneva, abstracts made from real light, kaleidoscopes, light pulled into streaks, double exposures, soft circles of bokeh, the view from the window seat, lighthouses on two coasts, things worth looking up at, and European trains and stations in four moods. 272 pieces in all.

24 pieces

Boats / Lake Geneva

Paddle steamers, ferries and small sails on Lake Geneva, from Lausanne, Lutry, Cully, Pully and Vevey, followed by a few boats from farther afield. View the series
19 pieces

Ethereal

Abstract pieces made from Matthew Meyers’s own photographs: camera-motion blur, long-exposure smoothing, mirrors, mist and double exposure. Lakes, sunsets and mountains, loosened until only the light is left. View the series
21 pieces

Turning Glass

Kaleidoscopes made from Matthew Meyers’s own photographs. Stained glass, Arctic ice, garden flowers and city towers, each mirrored and turned until it becomes a jewel-bright pattern. View the series
21 pieces

Pulled Light

Coasts, forests, sunsets and city lights pulled into bold streaks, as if the camera moved mid-exposure. What is left is the color of the place: bands of sea, sky and fire. View the series
15 pieces

Two Places at Once

Double exposures that pour one place into another: rock spires filled with clouds, a Ferris wheel full of surf, city towers made of glacier ice. Two of Matthew Meyers’s photographs share every frame. View the series
36 pieces

Circles of Light

Butterflies, blossoms, fireworks and night lights melted into soft circles of light. Some of the bokeh came straight from the lens; the rest was drawn out of Matthew Meyers’s photographs in the edit. View the series
22 pieces

Window Seat

The view from the window seat, collected over fourteen years of flights: thunderheads, wingtips at sunset, snow on the mountains below, and a few frames from the runway on the way out. View the series
17 pieces

Keepers of the Coast

Lighthouses from both coasts: Pigeon Point and Point Bonita in California, a brick tower on the Outer Banks, a screwpile light in the Chesapeake and Harbour Town from storm light to night. View the series
24 pieces

Upward

Looking up: spires, obelisks, towers and tall trees against deep skies, from Washington and New York to Paris, Geneva and Munich. View the series
20 pieces

Iron Cathedrals

Trains and stations at full volume: locomotives nose-on under the Munich train shed, Zürich Hauptbahnhof after dark, funicular tunnels and rack railways climbing above Zermatt, and Edinburgh’s Waverley from above. View the series
17 pieces

Livery & Line

European railways reduced to colour and shape: red liveries flattened into poster blocks, platforms in duotone, carriages stretched into stripes and stations cut into graphic grids. View the series
20 pieces

Between Stations

The soft, half-remembered view from a Swiss train window: passing coaches dissolving into glass, valleys drifting by, villages layered over the next station, and Lake Geneva running into blue. View the series
16 pieces

Platform Zero

Trains and trams pushed further: light trails through Milan at night, mirrored tunnels and platforms, warp-speed S-Bahn arrivals, and classic trams kept in colour on grey streets. View the series