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Series

Slipstream

Planes, sails, rails and roads, left mostly to the sky: contrails drawn across Zermatt and suburban St. Louis, a cable car crossing a glacier, a schooner off Annapolis, warbirds turning through haze, a 747 waiting behind rain-streaked glass at O'Hare. Lifted, softened and given room to breathe. A few natural frames at the end keep it honest: snowed-in tracks, a heritage train on the curve, a floatplane lifting off a quiet bay.

13 pieces. These are real photographs, not generated images.

A jet trailing a long white contrail across a deep blue sky.
A high jet and its contrail cutting diagonally across a pale sky.
A cable car suspended above a snow-covered glacier and dark rock.
A two-masted schooner under full sail on a soft grey bay.
A twin-engine airplane silhouetted against a rippled, mackerel-pattern sky.
A long, empty highway bridge running straight toward the horizon under a pale cloudy sky.
A lone cyclist on wet, reflective sand at the edge of the surf.
A four-engine warbird banking through a white, hazy sky.
A tight formation of jets crossing a soft grey sky.
A 747 seen head-on through a rain-speckled terminal window on a wet, grey apron.
Railroad tracks running straight through fresh snow toward bare winter trees.
A long line of vintage passenger cars with rose-red roofs curving along a mountainside track.
A floatplane lifting off a calm bay in front of a dark, forested shoreline.

Next series: Moving Parts All series